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| OLLANTAYTAMBO The sanctuary of Ollantaytambo is located at the province of Urubamba. Here is an amazing architectural wonder, built by solar masters. The town is about 76 Kms. (47.2 miles) away from Cusco by the road of Chinchero - Urubamba and about 68 kilometers (42.2 miles) by railway at an altitude of 2700 meters (8856 feet). It is a very vast complex which central part is in the town and its surroundings; there is a large amount of farming terraces that are part of he complex. Those terraces are deteriorated and most of them abandoned. The water that irrigated them does not flow any more. Their stone aqueducts that were a master work of engineering were extended by many kilometers; but, today they do not exist any more. The reason is that today no one is preoccupied with keeping them and because we had almost five centuries in which the invaders were not interested in agriculture but only in mining gold and silver. Ollantaytambo is a compound Quechua word that is derived from " Ollanta" that is a personal name, and " Tambo" that is a Spanish form of " Tampu" that refers about a city that offered lodgings, food and comfort for travellers. "Ollanta" was the name of an Inka general whose history was kept as an oral tradition. The Ollantay Drama is considered as a classical work of Quechua literature. Ollantaytambo was a very important sanctuary, it also was a "tampu" in order to enable control of the roads toward the "Antisuyo" (jungle). Today, still some people name this sanctuary as "fortress", which in practice is improper and we will need more space to explain all this. Besides, for the noble population dwelling in this city there was a very ample and well planned urban sector, a plaza surrounded by important buildings and toward the town's South an impressive "Kallanka;" that is, a building which dimensions are colossal and completely roofed. It served as a lodge and perhaps also as barracks for the army of the region. The present-day town is located in the same site where the urban sector was in Inkan times. It is really interesting because here it is possible to find people living in the same buildings that served as homes for the nobility of the Inkan Society. Some of its narrow streets still keep their water channels where water flowed; they are by the middle or at one side. The streets still maintain their Inkan names. The town was divided in rectangular blocks with a very well planned geometrical layout giving the impression of being a town designed by modern architects. Every block was compound of two "kanchas" (patio, little plaza); the street gates had double jamb doorways which indicate that those were real palaces with rooms around a central patio. At least the lower part of the buildings is original and made with "pirka" type walls that were covered with a clay coat and possibly also had mural paintings. Today, their thatched roofs were replaced by red tiles and it is possible to breath a certain air of modernity as the town has electricity and tap water; but in short, the town has still an Inkan taste. Some decades ago in Ollantaytambo, a worldwide meeting of the "Andean" representatives was carried out and they declared this town as the " World Capital of Indianity." By that time there were some efforts willing to help for an effective conservation of original structures; in practice, it is so little what was and is done for that purpose, and it is so sad to prove that many of its innate elements are being lost slowly. Towards the town's east is the Pinkuylluna hill (pinkuyllo = wind musical instrument similar to the "quena" or Andean flute) where an imposing huge building stands out and about which there is a lot of myth. Some very imaginative "scholars" argue that it's been a school, a hospital some others, jail others, and even a hurling precipice!; according to archaeology and the Inkan architectonic characterization it was a "Qollqa", that is, a granary or storehouse for food, clothing and other elements. It has many doorways and openings that allowed ventilation, and surely they were built up there to enable protection of the stored goods. Likewise, some other smaller buildings are located in outstanding spots or angles of the mountain that served as watchtowers for controlling movement of persons in the valley. Toward the western end of the town and crossing the Patakancha (Upper Enclosure) stream is the great Plaza known as Mañay Raqay (Pleas Plaza) which seem to keep its original name, surrounded by sun-dried mud-brick buildings that were very important in their epoch. Towards the west of this plaza is the entrance to the Temples; somewhat higher is the spot of the most important temple: the Sun Temple that was constructed with huge red porphyry (pink granite) boulders. What is left of the Sun Temple are some peripheral walls and the classical major wall that according to most historians is part of the High Altar. It consists of six enormous stone blocks which average weight is about 60 tons and have as vertical joints some other smaller stones making a wall. It seems that this is a projection of the Tiwanaku architecture or possibly the architects were brought from the region of the Titikaka lake; but the final work is entirely Inkan with joints and outer surfaces complete and finely polished and glazed so that they could even serve as mirrors. On the external surface of the fourth boulder (beginning in the Southern end), there are carved stepped symbols. Even more, there are some other carved bulges that were broken. It is evident the presence of the "idolatries extirpators" who destroyed the Sun Temple; nowadays, the stones that were part of this fabulous temple are all over the place, over the terraces, by the plaza surroundings, in the church and curate house, and wherever a person looks with care. Toward the north of the temple’s entrance gate is a series of water fountains that because of their location must have performed duties of "Ceremonial Fountains", that is, used in order to honour the water elementary. There is one inside a mud brick square building where water still flows; toward the east of it there is another one baptized by tradition as the "Baño de la Ñusta" ("Princess's Bath") that shows stepped mouldings in its surface below the spillway. Farther north there are also many other fountains constituting a vast temple dedicated to the cult of "Unu" (water). Nearby is the sector that today has the hybrid name of " Inka Misana" (spot where the Inka says mass) that shows an aqueduct carved in the mountain rock face and a liturgical fountain, small stairways, double jamb niches or false openings capriciously sculpted in the mountain surface. On the upper area there is a carved conical bulge that was surely another "Intiwatana" (Solar Meter); more over, there are diverse mouldings which were part of a complex solar observatory used to measure the Sun variations during the year as well as for fixing solstices and equinoxes. |
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